The central subject is a stylized portrait of a woman seated in an armchair, presented in a modernist, cubist-inspired artistic style. She is depicted in profile, with her head turned slightly toward the viewer. Her face is colored in soft yellows and pinks, contrasted by thick, dark outlines that define her features and dark hair. One hand is raised toward her face, while the other rests on her lap, both painted in a flat, yellow tone with elongated fingers.
She is positioned within a simple, framed room. The walls are composed of vertical, hatched blue lines that suggest light or perhaps window blinds. The armchair is rendered in stark black, creating a bold, graphic silhouette against the lighter, textured background. The subject wears a geometric, multi-colored bodice with sharp, angular patterns in shades of purple and blue, adding to the structural aesthetic of the piece.
The overall composition relies on high-contrast black lines and vibrant, primary-adjacent colors to flatten the space and emphasize form over realism. The artistic medium evokes a mix of charcoal or oil stick sketches combined with blocky color fills, characteristic of early 20th-century European portraiture. The mood is contemplative and somewhat detached, typical of iconic modernist explorations of the human form.