The artwork depicts three stylized raccoons set against a dense, intricate backdrop of abstract urban textures. The raccoons are rendered in a mosaic style, using warm gold and ochre tones broken up by dark, patchwork segments. The largest raccoon stands in the foreground, facing the viewer, while two smaller ones are positioned behind it, one crouched and one perched higher up. Their masked faces are distinct, with large, expressive eyes that stand out against the patterned composition.
The background is a complex, almost stained-glass arrangement of dark geometric shapes, representing a city or forest at night. Deep black, midnight blue, and rich earth tones form a grid-like structure that is punctuated by vibrant pops of yellow, teal, and occasional red. This background creates a tapestry of light and shadow, suggesting twinkling city lights or distant stars.
The style is highly decorative and folk-inspired, utilizing heavy outlines and segmented, colourful fields to build the forms. The overall mood is whimsical yet mysterious, capturing a nocturnal world through a kaleidoscopic lens. The medium appears to be an acrylic or oil painting with a heavy emphasis on texture, layering, and graphic contrast.